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My summer has thus far been spent moving, with little time for web updates. But I have had two collaborative pieces come out in the past few months, and not yet got around to linking them here.
The first was a real first for me: co-writing with my romantic and domestic partner. We reviewed Volume 7 of Aqueduct Press’s WisCon Chronicles series, Shattering Ableist Narratives, for Disability Studies Quarterly. I edited Volume 6 in the series and WisCon is, as I’ve described here before, a home for me and a place where I find both community and significance for my work beyond my academic sphere. Disability studies is something that I have only recently been beginning to delve into, in part because of the focus on widening access and challenging ableism that I have seen over the years at WisCon. I’ve also been learning about it because it is the field within which my partner, Kathryn Wagner, is doing research in Clinical Psychology, so we thought that this review would be a fun way to explore the intersection of our scholarly work after she came with me to WisCon and experienced the convention first hand. It proved to be just that, and we hope to do more writing together in the future. For those who enjoy the review and the volume and want more WisCon, Volume Eight: Regenerating WisCon has just come out, edited by Rebecca Holden.
The second piece was part of a roundtable published by the online International Journal of Communication. I was invited by Henry Jenkins and Nick Couldry to join an illustrious line-up of media and communication scholars exploring “the Participatory Promise of Contemporary Culture and Politics,” in groupings organized around themes of creativity, labor, politics, knowledge and education, and platforms. I was part of the “politics” grouping, in the illustrious company of Danielle Allen, Nico Carpentier, Moya Bailey, Natalie Fenton, Henry Jenkins, Jack Linchuan Qiu, Mirko Tobias Schaefer, and Ramesh Srinivasan. I learned a lot from our dialogues about the uneven dynamics of participation as democratic political theory, utopia/dystopia, revolutionary and/or reactionary force; all of the roundtable’s segments are accessible and thought-provoking reads, and I recommend them highly.
I am overdue on a few announcements here; let me start with the biggest one.
This fall, I will be moving to the Washington, DC area to start a new position as Assistant Professor in the Department of Women’s Studies at University of Maryland College Park. I will be joining the Program in LGBT Studies as it becomes a part of Women’s Studies, and I’m looking forward to being a part of this changing moment for gender and sexuality studies at Maryland. I will also be teaching in the undergraduate honors college as part of the Design | Culture & Creativity program, a first- and second-year interdisciplinary living-learning program focused on digital culture and featuring the spec-fictional tagline of a curriculum for “independent thinkers and problem solvers who imagine that which does not yet exist.”
As will hopefully be clear from all that, this position could not be more of a dream job; it feels tailor-made for my idiosyncratic collection of interests, and it will give me the scope to explore them in ways I am only beginning to imagine. And College Park is, of course, the home of the Maryland Institute for Technology in the Humanities, as well as so many scholars – in my new department and elsewhere – whose work I have been reading and engaging for years. I am honored and overjoyed beyond words to have this opportunity.
I’m excited to announce that the 1889 feminist utopia to which I wrote the introduction, New Amazonia: A Foretaste of the Future by Elizabeth Burgoyne Corbett, is now in print – with a beautiful cover from Aqueduct Press’s Heirloom Books imprint.
It’s a strange book; typical of the burgeoning utopian fictions of its time, yet with some unusual interventions to make regarding technology, medicine, writing, and gender. Here’s the first paragraph of my introduction:
When Elizabeth Burgoyne Corbett sat down in the late 1880s to imagine a world 500 years hence, she can little have imagined that her words would be pored over in another century, on another continent, in a community gathered around the kinds of imaginative engagement with gender that she was pioneering. L. Timmel Duchamp has described feminist science fiction as a “great conversation”; Corbett’s speculations about New Amazonia are part of that conversation’s prehistory, a fictional contribution to political debates with which the writer was intensively engaged. The book you are holding is a piece of utopian fiction, but it is just as much a feminist rant––entertaining, educational, and more than a little over the top. Hilarious at some moments, it is shocking and dispiriting in others. It forces us to remember how easily feminist hope can coexist with racism, class hierarchy, imperalism, and the ableism that justified eugenic reproductive policy. Utopias and rants are both genres that make presumptions and prejudices acutely visible.
You can buy the book directly from Aqueduct, in print or ebook (which I recommend, since they are a small publishing house doing amazing work to support innovative and radical feminist science fiction), or from Amazon.com.
My second panel at MLA was a roundtable on “Tumblr Vulnerabilities” with Aren Aizura, Roy Perez, Nick Mitchell, Kara Jesella, and Jeanne Vaccaro. My notes are a little scattered, but I’m posting them anyway. I was respondent and was trying to gather key phrases to bring together at the end in a live post on tumblr itself, but I didn’t quite manage to pull it off; I shared my notes for that attempt at my rarely-used queergeektheory tumblr anyway.
Apologies for any mishearings; please comment or email me if there’s anything I should change.
I am back, exhausted, from MLA in Chicago. I didn’t manage to tweet the entire convention this year (though social media coverage is so much more diverse than it used to be, I no longer feel as compelled to), but I do want to share the archives of the panels I was on. My panel on new approaches to science fiction criticism, with Gerry Canavan, Clarissa Lee, and Rebekah Sheldon, was wonderful; it left me feeling excited to finish my book and get it out into the world so that we can carry on talking about speculation, futurity, and queer imaginaries. I collected the responses from Twitter:
Happy New Year!
Like so many other academics, I’m starting 2014 with MLA. I’m on two panels this year, at the very beginning and the very end of the conference:
New Approaches in Science Fiction Criticism, with Rebekah Sheldon, Gerry Canavan, and Clarissa Ai Ling Lee (sadly Jamie “Skye” Bianco can’t make it) – on Thursday at 7pm in McHenry, Chicago Marriott
Here’s an abstract of my paper:
Living in the Future: Speculative Fiction’s Queer Cultural Politics
Queer times break with the straight and narrow paths of reproductive futurism: lingering or refusing, flashing up in moments of ephemeral utopia or doubling back to reanimate the pleasurable and/or painful past. But where does the speculative narrative act of imagining the future – frequently embodied in the genre of science fiction – fit within this frame? This talk will draw from a larger project on speculative fiction and queer time that explores how science fictions by feminists, queers, and people of color engage in temporal critique by working through rather than against the normative temporalities that queer scholars including Lee Edelman, José Muñoz, and Elizabeth Freeman have identified. The practice and performance of affective world making has been central to queer temporal studies; I link it with the idea of world building, or concretely planning a fictional world, that is important in science fiction theory and criticism in both academic and fan cultures. Science fiction’s world building creates utopian visions, dystopian fears, and futuristic projections that can seem to uncritically reproduce normative life narratives and chronologies of technological progression. Drawing on fiction and theory by Samuel R. Delany as well as on feminist science fiction fan cultures’ grassroots practices of knowledge production, my talk will argue that new temporal frames emerge from the uses to which science fiction’s futures have been put. What practices make it possible to live inside such futures as they refract into the present?
Tumblr Vulnerabilities, with Aren Aizura, Kara Jesella, Nick Mitchell, Roy Perez, and Jeanne Vaccaro – 12pm Sunday in Indiana-Iowa, Chicago Marriott.
Here’s the summary:
How is the microblogging platform Tumblr an affective space for queer and dangerous critique in and outside the academy? What are the politics of blogging on Tumblr as scholars in a professional climate where “online presence” is the consummate CV attribute? How does Tumblr provoke or align itself with the specter of the digital humanities and its proprietary software platforms?
I feel I’ve barely scratched the surface of Tumblr itself, but I have a lot to say about informal online networks in relationship to professionalization and queer critique; I’m looking forward to some great conversations on this panel.
Hope to see you there!
I’ve just come back from the 40th Anniversary Celebration of the University of Oregon’s Center for the Study of Women in Society, where I was invited to participate in the Sally Miller Gearhart “Worlds Beyond World” Symposium on Feminist Utopian Thought. It was a really wonderful weekend, gathering together writers and thinkers from several generations; I was quite overwhelmed to be wandering around the same space as the writers whose work has shaped my intellectual world. Most of all Ursula K. Le Guin, but also Suzy McKee Charnas, Vonda McIntyre, Kate Wilhelm, Sally Miller Gearhart herself, Larissa Lai, Andrea Hairston, and L. Timmel Duchamp. And I participated in a quite joyous panel with Grace Dillon, Joan Haran, Andrea Hairston, and Kathryn Allan; it was wonderful to share our scholarly speculative excitement with an audience of academics, writers, and fans.
I was in Oregon in large part because I have just finished editing a special issue of the UO-based Fembot Collective’s online open access journal Ada: A Journal of Gender, New Media and Technology. I’m very proud and very exhausted; we worked through an intense peer review process to publish 12 essays in a time period far shorter than most academic journals are able to manage. The essays vary from dense, lyrical scholarly works on the history of physics, new media art, and somatic capitalism, reproductive futurism, and Margaret Atwood to multimedia performance; there is an audio interview about Octavia Butler, a cyborgian dollhouse, and pieces on Lois McMaster Bujold, Cabin in the Woods, Sue Lange’s novella We, Robots, brainwave-scanning technology. There’s even a piece by the grand dame of feminist science fiction theory, Donna Haraway, and a collectively written review of a new book on her work.
“The boundary between science fiction and social reality is an optical illusion” (149). So Donna Haraway wrote in 1985 in “A Cyborg Manifesto.” When I composed a call for papers around this evocative line, I hoped to solicit work that would address the continuities and the transformations between the chimeric time of Haraway’s 1980s and our own uneven present, more than 20 years on. The response was successful beyond my wildest hopes. Feminist science fiction, in the collective analysis of the writers gathered here, proves to be a diverse and amorphous category in which real and imagined science and technology bleed into one another. The essays call attention to the ways in which fictions and realities of scientific speculation shape how we experience the nexus of gender, new media, and technology––from the gendered history of physics to the migration of brain-scanning technology out of laboratories and into the world, from imagined visions of reproductive technologies to sentient robots to the social consequences of cataclysmic change in urban landscapes.
Samuel R. Delany wrote in 1984 that science fiction is not about the future, but is rather a “significant distortion of the present” (177). In a world where not only technologies and their marketing but also social and political discourse draw continually from popular culture’s science fictions, this insight has grown ever more important. How do science fictions distort our perceptions of what is real and what is possible––and how should we mediate those distortions? Which should we critique and which should we embrace? If our times are science fictional, then the feminisms they demand must be technological and ripe for speculation. Joan Haran and Katie King’s essay calls for “science fiction feminisms” as well as “feminist science fictions” and “feminist sustainability”: this issue showcases the diversity of meanings contained in all three of these phrases.
Since this semester began, I’ve been in one of those phases where as soon as one piece of work finishes, you dash madly on to the next deadline without raising your head. I’ve created several half-finished blog posts during that time, including notes from my time at the second Critical Ethnic Studies conference––that one at least will eventually be posted.
For the moment, though, I want to share one of the products of my recent busy-ness (well, of last semester’s busy-ness, really).
In the dim and distant past when I was working on my first dissertation chapter, I talked about it with L. Timmel Duchamp, who runs the feminist science fiction publisher at Aqueduct Press. I told her about the earliest text I had worked on in my historical exploration of popular feminist utopias, Elizabeth Burgoyne Corbett’s 1889 New Amazonia: A Foretaste of the Future. She was intrigued; I shared the PDF version I had scanned from microfiche with her; and it just so happens that Aqueduct has a fairly new Heirloom Books imprint with this set of goals:
Aqueduct Press’s series of Heirloom Books aims to bring back into print and preserve work that has helped make feminist science fiction what it is today —work that though clearly of its time is still pleasurable to read, work that is thought-provoking, work that can still speak powerfully to readers. The series takes its name from the seeds of old- er strains of vegetables, so valuable and in danger of being lost. Our hope is to keep these books from being lost, as works that do not make it into the canon so often are.
Fast forward a couple of years, and New Amazonia will be the third volume in the Heirloom series. Details are here; it will be in print in early 2014. I will post again and share more of the details when it actually comes out…
I spend a lot of time talking about gay marriage. Thinking, writing, teaching about the history and critiques of the idea that marriage is a political issue, a civil right to be fought for; reading and engaging and discussing queer critiques of marriage on Facebook and Twitter, in conversation with friends and family, in classrooms.
I’m also a bit of a closet romantic. Well, perhaps not so closet any more. I tend to find myself weeping helplessly when I see pictures of queer couples growing old together. I tend to think that it’s possible to wax sentimental and joyous about partnership on a personal level while acknowledging everything that is wrong with marriage as a political horizon for activism.
And last weekend, two of the people I most admire in the world invited me to be a part of their very queer and very geeky wedding celebration. It was a weekend in the redwoods in Northern California, and included some of the best features of academic conferences (a roundtable on queerness and marriage) and fan conventions (a vid show with new fanvids premiering inclucing Radioactive (Wizard of Oz) ) as well as the traditional dancing, speeches, and cake. There was a time travel theme; there were costumes.
I’m sharing the speech I wrote for the ceremony, because I feel like I was trying to articulate all the convergences of queerness and science fiction at their most utopian.
I’m taking a brief pause to breathe after my first year as a tenure-track assistant professor.
Going directly from defending my dissertation to being a graduate faculty member in a large and understaffed department at a public university has been quite an overwhelming transition, though a welcome and often exhilarating one. In the past year, I have taught seven classes, ranging from four sections of freshman composition through to two doctoral-level seminars (one on speculative fiction and one on queer theory). I’m a member of seven comprehensive exam committees and two dissertation committees. I’ve attended four conferences, one of them virtually; had one review and two articles come out (one print, one online); written an introduction to a reprinted novel that will be coming out later in the year; worked on revisions for two articles, one of which ought to come out in the not too distant future and one of which has shifted so much since the initial idea that I may decide to submit it to a different journal. I wrote a book proposal, though I still have some way to go before I can fully transform my dissertation into the book I want it to be. And I’m currently buried in the feminist science fiction special issue of Ada: A Journal of Gender, New Media and Technology, which will be launching in November.
I made that list because it has been a strange transition not to feel myself progressing each year toward the identifiable goal of a degree. This year has also been one where I have tried to move away from the purely mental focus that academia so often encourages us to have. I’ve been building a home in a new city; building a relationship with my partner and her dog (we moved in together a month ago). I’ve been growing plants and cooking and thinking about how knowledge is contained in different modes of being.
To be continued…